Thursday, May 3, 2012
Monday, November 21, 2011
Tuesday, November 8, 2011
Night
Sunday, November 6, 2011
Wednesday, June 9, 2010
Death
Double Death III. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Double Death II. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Double Death I. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Double Death. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Double Death II. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Double Death I. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Double Death. 26 May 2010. Acrylic on two sheets paper whole approx. 285mm x 190mm
Death
Wednesday, May 19, 2010
shadow
Saturday, January 16, 2010
paradise
The Dark
Cnoc Eoghain sleet and ice. 13 January 2010 Acrylic on paper approx. 190mm x 140mm Looking west into nothing. It was somewhere in the Caha mountains, the place could have been Cushnaficulla or even Droppa
Mangerton Freezing fog - Late. 13 January 2010 Acrylic on paper approx. 190mm x 140mm
Mangerton Freezing fog - Too Late. 13 January 2010 Acrylic on paper approx. 190mm x 140mm
Mangerton Freezing fog - Late. 13 January 2010 Acrylic on paper approx. 190mm x 140mm
Mangerton Freezing fog - Too Late. 13 January 2010 Acrylic on paper approx. 190mm x 140mm
Forest
Forest at Kilmurry I. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Forest at Kilmurry II. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Forest at Kilmurry III. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Forest at Kilmurry IV. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Forest at Kilmurry II. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Forest at Kilmurry III. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Forest at Kilmurry IV. 15 January, Acrylic and ink on board, approx. 126mm x 176mm.
Thursday, December 10, 2009
Paradise
Under the Frown of Night. 8 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
Satan walks in the garden, wearing a 1960's crash helmet and leathers. Milton foresees light pollution and global warming:
Starless expos'd, and ever-threatning storms [ 425 ]
Of Chaos blustring round, inclement skie
See also Tuesday March 10, 2009
Satan walks in the garden, wearing a 1960's crash helmet and leathers. Milton foresees light pollution and global warming:
Starless expos'd, and ever-threatning storms [ 425 ]
Of Chaos blustring round, inclement skie
See also Tuesday March 10, 2009
Ghost Family
He's Above Us. 8 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
Looking Down/Body Above. 8 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
She's Waiting - Mother. 9 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
He's Waiting - Father. 8 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
In The Hedge. 9 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
Looking Down/Body Above. 8 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
She's Waiting - Mother. 9 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
He's Waiting - Father. 8 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
In The Hedge. 9 December 2009. Acrylic and ink on paper, approx. 140mm x 190mm
Wednesday, July 15, 2009
An Angel. Acrylic, ink and pencil on paper, approx. 190mm x 140mm
It is important to have a secret, a premonition of things unknown. It fills life with something impersonal... A man who has never experienced that has missed something important. He must sense that he lives in a world which in some respects is mysterious; that things happen and can be experienced which remain inexplicable; that not everything which happens can be anticipated. The unexpected and the incredible belong in this world.
C.G. Jung Memories, Dreams, Reflections
It is important to have a secret, a premonition of things unknown. It fills life with something impersonal... A man who has never experienced that has missed something important. He must sense that he lives in a world which in some respects is mysterious; that things happen and can be experienced which remain inexplicable; that not everything which happens can be anticipated. The unexpected and the incredible belong in this world.
C.G. Jung Memories, Dreams, Reflections
Friday, July 3, 2009
Tuesday, May 26, 2009
Thursday, April 23, 2009
Shadow
Spikey Abbess 1, 24 March 2009, ink and pencil on paper, 140mm X 189mm
Spikey Abbess 2, 24 March 2009, ink and pencil on paper, 140mm X 189mm
Lacking cities, Ireland didn't quite see the point of bishops, and gradually these were replaced in importance by abbots and – in a development that would make any self-respecting Roman's blood run cold – abbesses...(Brigid)... ruled as high abbess of an immense double monastery – that is, a foundation that admitted both men and women, another irregularity that would have deeply offended Roman Catholic sensibility, which to this day imagines rule by a woman over men as a perversion of the natural order....She is reputed to have taken the veil on the hill of Uisnech, Ireland's primeval naval and the mythical centre of its cosmic mandala.
Thomas Cahill, How the Irish Saved Civilization
Spikey Abbess 2, 24 March 2009, ink and pencil on paper, 140mm X 189mm
Lacking cities, Ireland didn't quite see the point of bishops, and gradually these were replaced in importance by abbots and – in a development that would make any self-respecting Roman's blood run cold – abbesses...(Brigid)... ruled as high abbess of an immense double monastery – that is, a foundation that admitted both men and women, another irregularity that would have deeply offended Roman Catholic sensibility, which to this day imagines rule by a woman over men as a perversion of the natural order....She is reputed to have taken the veil on the hill of Uisnech, Ireland's primeval naval and the mythical centre of its cosmic mandala.
Thomas Cahill, How the Irish Saved Civilization
Wednesday, April 1, 2009
Tuesday, March 10, 2009
Shadow
Here Walked The Fiend, 10 March 2009
acrylic and ink on paper, approx 140mm x 189mm
Mean while upon the firm opacous Globe
Of this round World, whose first convex divides
The luminous inferior Orbs, enclos'd [ 420 ]
From Chaos and th' inroad of Darkness old,
Satan alighted walks: a Globe farr off
It seem'd, now seems a boundless continent
Dark, waste, and wild, under the frown of Night
Starless expos'd, and ever-threatning storms [ 425 ]
Of Chaos blustring round, inclement skie;
Save on that side which from the wall of Heav'n
Though distant farr some small reflection gaines
Of glimmering air less vext with tempest loud:
Here walk'd the Fiend at large in spacious field. [ 430 ]
John Milton, Paradise Lost, book III
acrylic and ink on paper, approx 140mm x 189mm
Mean while upon the firm opacous Globe
Of this round World, whose first convex divides
The luminous inferior Orbs, enclos'd [ 420 ]
From Chaos and th' inroad of Darkness old,
Satan alighted walks: a Globe farr off
It seem'd, now seems a boundless continent
Dark, waste, and wild, under the frown of Night
Starless expos'd, and ever-threatning storms [ 425 ]
Of Chaos blustring round, inclement skie;
Save on that side which from the wall of Heav'n
Though distant farr some small reflection gaines
Of glimmering air less vext with tempest loud:
Here walk'd the Fiend at large in spacious field. [ 430 ]
John Milton, Paradise Lost, book III
Sunday, March 1, 2009
Saturday, February 28, 2009
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